so what...I'm Frank now???
nikkisshadetree:

prettyboyshyflizzy:

tayelchapo:

lmao

this tactic bout to ascend my aint shitness

😂😂😂

nikkisshadetree:

prettyboyshyflizzy:

tayelchapo:

lmao

this tactic bout to ascend my aint shitness

😂😂😂

torisoulphoenix:

oliviapopefandom:

Scandal Merchandise: http://bit.ly/1mC7vdK

YAAAAAAAAAAAAAAAASSSSSS!!!!!!!!!

torisoulphoenix:

oliviapopefandom:

Scandal Merchandise: http://bit.ly/1mC7vdK

YAAAAAAAAAAAAAAAASSSSSS!!!!!!!!!

theorlandojones:

As we wrap up this terrible week and weekend some final thoughts before I get my black ass back to work tomorrow to fight fictional demons instead of feeling powerless against the real ones —
Although he wasn’t by any means a close personal friend, the death of Robin Williams affected by greatly. Working with him and David Duchovny on the film House of D was a privilege and seeing how he treated everyone he encountered regardless of race, class, gender or orientation remains a hopeful reminder that genuine kindness and empathy does exist in the world. Whatever the ultimate reasons for his decision to take his own life I pray for him, his family and all who suffer from the unrelenting grasp of depression and substance abuse. By shining his light on us all for the period of time he did, I am 100% certain that Robin left this world a better place than he entered it with a legacy that will not soon be forgotten.
That said, if we spent even a fraction of the time given to the tributes about Robin and the late Lauren Bacall also remembering the lives of Michael Brown, Eric Garner, John Crawford, Ezell Ford or Dante Parker (the 5 unarmed black men killed by police just in the past month) or honestly looked at the data about how often police shoot unarmed black men and women in this country we would all hang our collective heads in shame.
In the midst of thousands upon thousands of peaceful protesters who came out demanding answers and marching for justice with the powerful and heartbreaking refrain Hands Up. Don’t Shoot. the actions of a small few in Ferguson (many of whom were anarchists that intentionally came into the city to stir up trouble and perhaps a few others from the community who had simply reached their breaking point in the face of racial, economic and social injustice) gave the white power structure the cover to quickly change the narrative to one about the violence in the city (in reality almost entirely perpetrated by the militarized police rather than the demonstrators) instead of the murder of an unarmed teenager by a cop who “never meant for this to happen" (and don’t even get me started on that fuckery which should instead read "a cop who never meant to be held accountable").
In this way, a PROTEST became a RIOT. Images of demonstrators THROWING BACK tear gas canisters launched at them became stories of rioters throwing molotov cocktails AT THE POLICE (and yes I am aware of media reports showing that molotov cocktails were in fact used by protesters in some instances but not in the way that it was ultimately spun). And the police released incendiary and ENTIRELY IRRELEVANT information about Michael Brown that the media lapped up because it reinforced the all too familiar trope that “the violent black dude was a thug who got what he deserved”.
Black victims are regularly eyed with suspicion and contempt (and ultimately deemed responsible for what happened to them) while the media too often generates headlines that exhibit an air of disbelief at an alleged white killer’s supposed actions.
Even in our outrage at what happened at this week and the necessity for our voices to be heard so this story is not swept under the rug, we all know something like this will happen again. And again. And again.
Until each of us (black, white, brown, etc) demands accountability from our elected officials we will get the country we deserve. Tweeting is not enough. Feeling bad is not enough. Acting like we’re overreacting and it can’t really be that bad makes you an accessory after the fact (not to mention an asshole). 
Which is why, as the GIF above shows, I’m giving America a down vote.
So how can we stop feeling powerless? What can we actually do?
Honestly, there are people much smarter than me who can do a better job of answering that question.
But trying to answer that question for myself is a large part of why I do what I do for a living. Because representation matters. Because being in control of our own stories empowers us to show a wide range of depictions of blackness and “otherness” (shockingly, not only do we not all LOOK ALIKE but we also don’t all THINK ALIKE) that are far more interesting than what we’ve been spoon fed in the past. I’m the first to admit that we’ve still got A LONG WAY TO GO and that’s where you all come in.
Although my engagement in fandom is embraced by some and side-eyed by others, these spaces of interaction may in fact play one of the most significant roles in the future of media and representation as we know it. At the very least it will create a future generation of professional storytellers (and social justice advocates) who were raised in the trenches of Live Journal, Tumblr, ao3 and other platforms currently in use or yet to be created.
I know this is your turf and even though there are times some of you wish I’d go away I genuinely appreciate the opportunity to interact with you here.
Together, we can make a difference.
Trollando out.

theorlandojones:

As we wrap up this terrible week and weekend some final thoughts before I get my black ass back to work tomorrow to fight fictional demons instead of feeling powerless against the real ones —

Although he wasn’t by any means a close personal friend, the death of Robin Williams affected by greatly. Working with him and David Duchovny on the film House of D was a privilege and seeing how he treated everyone he encountered regardless of race, class, gender or orientation remains a hopeful reminder that genuine kindness and empathy does exist in the world. Whatever the ultimate reasons for his decision to take his own life I pray for him, his family and all who suffer from the unrelenting grasp of depression and substance abuse. By shining his light on us all for the period of time he did, I am 100% certain that Robin left this world a better place than he entered it with a legacy that will not soon be forgotten.

That said, if we spent even a fraction of the time given to the tributes about Robin and the late Lauren Bacall also remembering the lives of Michael Brown, Eric Garner, John Crawford, Ezell Ford or Dante Parker (the 5 unarmed black men killed by police just in the past month) or honestly looked at the data about how often police shoot unarmed black men and women in this country we would all hang our collective heads in shame.

In the midst of thousands upon thousands of peaceful protesters who came out demanding answers and marching for justice with the powerful and heartbreaking refrain Hands Up. Don’t Shoot. the actions of a small few in Ferguson (many of whom were anarchists that intentionally came into the city to stir up trouble and perhaps a few others from the community who had simply reached their breaking point in the face of racial, economic and social injustice) gave the white power structure the cover to quickly change the narrative to one about the violence in the city (in reality almost entirely perpetrated by the militarized police rather than the demonstrators) instead of the murder of an unarmed teenager by a cop who “never meant for this to happen" (and don’t even get me started on that fuckery which should instead read "a cop who never meant to be held accountable").

In this way, a PROTEST became a RIOT. Images of demonstrators THROWING BACK tear gas canisters launched at them became stories of rioters throwing molotov cocktails AT THE POLICE (and yes I am aware of media reports showing that molotov cocktails were in fact used by protesters in some instances but not in the way that it was ultimately spun). And the police released incendiary and ENTIRELY IRRELEVANT information about Michael Brown that the media lapped up because it reinforced the all too familiar trope that “the violent black dude was a thug who got what he deserved”.

Black victims are regularly eyed with suspicion and contempt (and ultimately deemed responsible for what happened to them) while the media too often generates headlines that exhibit an air of disbelief at an alleged white killer’s supposed actions.

Even in our outrage at what happened at this week and the necessity for our voices to be heard so this story is not swept under the rug, we all know something like this will happen again. And again. And again.

Until each of us (black, white, brown, etc) demands accountability from our elected officials we will get the country we deserve. Tweeting is not enough. Feeling bad is not enough. Acting like we’re overreacting and it can’t really be that bad makes you an accessory after the fact (not to mention an asshole). 

Which is why, as the GIF above shows, I’m giving America a down vote.

So how can we stop feeling powerless? What can we actually do?

Honestly, there are people much smarter than me who can do a better job of answering that question.

But trying to answer that question for myself is a large part of why I do what I do for a living. Because representation matters. Because being in control of our own stories empowers us to show a wide range of depictions of blackness and “otherness” (shockingly, not only do we not all LOOK ALIKE but we also don’t all THINK ALIKE) that are far more interesting than what we’ve been spoon fed in the past. I’m the first to admit that we’ve still got A LONG WAY TO GO and that’s where you all come in.

Although my engagement in fandom is embraced by some and side-eyed by others, these spaces of interaction may in fact play one of the most significant roles in the future of media and representation as we know it. At the very least it will create a future generation of professional storytellers (and social justice advocates) who were raised in the trenches of Live Journal, Tumblr, ao3 and other platforms currently in use or yet to be created.

I know this is your turf and even though there are times some of you wish I’d go away I genuinely appreciate the opportunity to interact with you here.

Together, we can make a difference.

Trollando out.

nikkisshadetree:

ctron164:

The more you know/unearth.


stay woke

nikkisshadetree:

ctron164:

The more you know/unearth.

stay woke

hanukkahlewinsky:

turning on private browsing like

image

korranation:

Puppy love

loved this as i was saying really Korra no treats..oh hell naw! Naga whips her wth her tail. TOLD

maleeshda3wa:

yayasmeen:

I think my selfie problem is getting out of hand..

This deserves at least a thousand notes !!

motherofqueers:

looktothenightxai:

thebeldamsbuttons:

damianimated:

LETS PLAY A GAME. It’s called: Who directed it TIM BURTON or HENRY SELICK
We’ll start with the 2009 Laika film Coraline based on the novel by Neil Gaiman. Do you know who directed it? Burton or Selick?

Did you guess yet?

If you guessed Henry Selick, you would be correct. Tim Burton actually had absolutely nothing to do with Coraline at all in anyway ever. Reminder: Tim Burton has NOTHING to do with Coraline. At all. But that was an easy one. Let’s go to the Walt Disney Pictures adaptation of Roald Dahl’s novel, James and the Giant Peach next.

Think you got it? Are you sure? Better double check…

Oh, look. It’s Henry Selick again! Tim Burton actually interacted with this project, though only as a producer. Bet that was tricky… Next one! Let’s go to the Disney/Touchstone Pictures film Tim Burton’s The Nightmare Before Christmas.
Have you guessed it correctly? Have you really?

Yep that’s right. Even Tim Burton’s The Nightmare Before Christmas was directed by Henry Selick. Though Burton wrote the poem and created the characters in which Nightmare was based he didn’t have much interaction with the project beyond that. At the time he had already signed off to direct the film Batman Returns and did not want to be involved with the “painstakingly slow process of stop-motion animation.”
Looks like it was a trick quiz. But now you know Henry Selick, whom people rarely know of is responsible for many of the most well known stop-motion animated films. The more you know!

This isn’t even being qeued. This is just being reblogged, because some of you still don’t understand who directed Coraline.

Most people totally and painfully incorrectly attribute most stop-motion they grew up with/on with Burton simply because they tacked his name on NMBC.

Paranorman was also NOT DIRECTED BY TIM BURTONNot every stop motion/creepy stop motion movie was created by tim fucking burton omfg

motherofqueers:

looktothenightxai:

thebeldamsbuttons:

damianimated:

LETS PLAY A GAME. It’s called: Who directed it TIM BURTON or HENRY SELICK

We’ll start with the 2009 Laika film Coraline based on the novel by Neil Gaiman. Do you know who directed it? Burton or Selick?

image

Did you guess yet?

image

If you guessed Henry Selick, you would be correct. Tim Burton actually had absolutely nothing to do with Coraline at all in anyway ever. Reminder: Tim Burton has NOTHING to do with Coraline. At all. But that was an easy one. Let’s go to the Walt Disney Pictures adaptation of Roald Dahl’s novel, James and the Giant Peach next.

image

Think you got it? Are you sure? Better double check…

image

Oh, look. It’s Henry Selick again! Tim Burton actually interacted with this project, though only as a producer. Bet that was tricky… Next one! Let’s go to the Disney/Touchstone Pictures film Tim Burton’s The Nightmare Before Christmas.

imageHave you guessed it correctly? Have you really?

image

Yep that’s right. Even Tim Burton’s The Nightmare Before Christmas was directed by Henry Selick. Though Burton wrote the poem and created the characters in which Nightmare was based he didn’t have much interaction with the project beyond that. At the time he had already signed off to direct the film Batman Returns and did not want to be involved with the “painstakingly slow process of stop-motion animation.”

Looks like it was a trick quiz. But now you know Henry Selick, whom people rarely know of is responsible for many of the most well known stop-motion animated films. The more you know!

This isn’t even being qeued. This is just being reblogged, because some of you still don’t understand who directed Coraline.

Most people totally and painfully incorrectly attribute most stop-motion they grew up with/on with Burton simply because they tacked his name on NMBC.

Paranorman was also NOT DIRECTED BY TIM BURTON

Not every stop motion/creepy stop motion movie was created by tim fucking burton omfg

hanukkahlewinsky:

turning on private browsing like

image

Love Love Love Emma Thompson. She is just …no words…just Love her!!!

lukasuka:

AM I SUPPOSED TO BE LAUGHING AT THE DOG OR THE BALD GUY

lukasuka:

AM I SUPPOSED TO BE LAUGHING AT THE DOG OR THE BALD GUY

favourite movie…Stanley Tucci…what! what!

Ahhh i love Reign